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  • Endless Joke
    Endless Joke
    by David Antrobus

    Here's that writers' manual you were reaching and scrambling for. You know the one: filled with juicy writing tidbits and dripping with pop cultural snark and smartassery. Ew. Not an attractive look. But effective. And by the end, you'll either want to kiss me or kill me. With extreme prejudice. Go on. You know you want to.

  • Dissolute Kinship: A 9/11 Road Trip
    Dissolute Kinship: A 9/11 Road Trip
    by David Antrobus

    Please click on the above thumbnail to buy my short, intense nonfiction book featuring 9/11 and trauma. It's less than the price of a cup of coffee... and contains fewer calories. Although, unlike most caffeine boosts, it might make you cry.

  • Music Speaks
    Music Speaks
    by LB Clark

    My story "Solo" appears in this excellent music charity anthology, Music Speaks. It is an odd hybrid of the darkly comic and the eerily apocalyptic... with a musical theme. Aw, rather than me explain it, just read it. Okay, uh, please?

  • First Time Dead 3 (Volume 3)
    First Time Dead 3 (Volume 3)
    by Sybil Wilen, P. J. Ruce, Jeffrey McDonald, John Page, Susan Burdorf, Christina Gavi, David Alexander, Joanna Parypinski, Jack Flynn, Graeme Edwardson, David Antrobus, Jason Bailey, Xavier Axelson

    My story "Unquiet Slumbers" appears in the zombie anthology First Time Dead, Volume 3. It spills blood, gore and genuine tears of sorrow. Anyway, buy this stellar anthology and judge for yourself.

  • Seasons
    Seasons
    by David Antrobus, Edward Lorn, JD Mader, Jo-Anne Teal

    Four stories, four writers, four seasons. Characters broken by life, although not necessarily beaten. Are the seasons reminders of our growth or a glimpse of our slow decay?

  • Indies Unlimited: 2012 Flash Fiction Anthology
    Indies Unlimited: 2012 Flash Fiction Anthology
    Indies Unlimited

    I have two stories in this delightful compendium of every 2012 winner of their Flash Fiction Challenge—one a nasty little horror short, the other an amusing misadventure of Og the caveman, his first appearance.

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Entries in social services (1)

Thursday
Mar082012

What is this Kinship of Which You Speak? Pt. 1

It occurred to me recently, in one of those sudden, sobering facepalm moments, that here I have this blog all dedicated to writing and everything, and yet almost twenty posts and three months in, I have yet to revisit the book I mentioned in my opening post. In other words, my own book. In other words, I'm a bit of an idiot.

The thing is, it's actually hard for me to talk about my book. As I mentioned back then, I am currently working on its sequel, but the entire decade-long episode surrounds a kernel of such genuine pain that I rarely express or even visit it. In fact, you can see it in my face in the embedded photo (wow, where does the time go?). The sequel itself is not going particularly well, either, for slightly different reasons. In fact, personal and darkly precious as they are—black pearls formed around gritty irritants—a part of me will be very relieved to get these two books behind me, so I can concentrate on lighter fare... such as disturbing, transgressive and/or graphic horror fiction. Yeah, I know, that sounds like a joke, but it's actually not.

I don't mean those books are bad. Not at all. I think Dissolute Kinship is a very decent short book, in fact, and I have every reason to believe its follow-up will be equally good, albeit a tad less redemptive. It's just that I've lived them now and they feel a little like millstones... like the haunted past... and I now want to escape some of the darkness and breathe a little.

So let me try to explain why I was in the predicament in the first place. I once worked with damaged kids. When I say damaged, I suppose I mean "abused and neglected and marginalized youth", in the jargony parlance of our official mandate. These are inadequate and even glib terms when describing lives that have barely gotten off the ground, lives that have only just woken from the sleep that comes before life and have already found themselves blighted by some of the worst afflictions of the human condition: addiction, poverty, cruelty, sexual predation, the vast indifference of the wider world.

My job on the streets was to be available to the kids who haunted the arcades and alleyways in case they needed and (more crucially) asked for services, and to advocate relentlessly for them once they did. I've never felt such a weighty responsibility. We would wrestle with the "system" (loosely, the government agencies centred around social services, education, law enforcement, etc.) and sometimes provide the voice for an individual child that pain or anger had silenced, however temporarily.

The youth on the street knew we were there, knew what we offered, and by no means did all of them access our services. But they knew. Which was sometimes enough. We were safe adults, usually predictable in our movements (deliberately so) and they knew where to find us. Even if it was to hit us up for a couple quarters to play Mortal Kombat.

Over time, we became street fixtures ourselves, and this is where trouble can start.

_____________________

Okay, this is getting too long for a single blog post, so I'm going to split it into two parts.

Click for Part Two.

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also writes for Indies Unlimited and BlergPop. Be sure to check out his work there if you like what you read here.