Chesterman

When you ran alongside me, barefoot, following the beach pier below, I thought you meant to tell me something profound, announce something real. When you caught up to my shadow and climbed the iron steps and looked in my eyes and said, "Your mother died," I thought you were either funny or cruel. It took a long time for me to realize you were going for both.

I can't help it. I associate your metronome hips toiling in a sandblasted skirt with the death of my mother.

At my tea party, Kate Winslet is Emily Blunt's aunt. Kelp lies forlorn on the shore.

"Honey, don't make me do anything. Let me do it 'cause I want to."

Escape your uterine penumbra. Ask me how?

"I'll ask this. Impossible to answer, no doubt. How is it you seem to know me when all you know is my menstrual smell? And what is it that tastes like people? Makes us numb?"

"Because you climb men like we're trees."

"Seriously, no words. You should be banned from speaking."

"True. But then I'd write."

Here we all are, rulers of a thousand silent kingdoms. Wearers of so many tawdry cotton shifts.

"You are not the marrying guy. You are the affair guy."

"Welcome home, girlfriend."

"Ugh."

The wind gets up. Stirs the treetops. Will you dream of a monster hunched among the dark limbs, breathing quiet, awaiting its time? All I know is, every coward craves a gun. 

Hostile

We're a long way past those plastic wood panels. That studded belt. The brackish shallows.

She was born Ida Grace Showbuckle, a Midwestern girl in a middle America world.

By the time she arrived in Hollywood, she was Shyna Lite, but that only shepherded her briefly pornward until she settled on Gloria Spensky, which combined a classic first name with an authentic East European family moniker while largely avoiding complications. America fell quietly in love, even before they'd truly parsed the name for prestige or infamy.

She was fortunate. Spectacular and tawdry. Resplendent with dubious pedigree.

Before tomorrow, the deviant mollusc will have devoured eleven faces. Be ready. This carnage won't be silent or demure. Segmented limb parts the texture and disavowed color of forsaken tarpits will skitter from bleak corners, antennas tuned to utter wreckage, trojaned in by the aroma of coffee beans and the poise of a nylon seam, a lukewarm foot cupped by a cool stiletto heel.

You have no idea what I'm saying, do you?

Don't worry. I don't either. I no longer know how to ask for help.

Was something birthed in the vomit of some homunculus, before any of us were here?

Gloria made progress, found a modicum of genuine affection among the glitterati. If she is filled with secrets, then so are we all.

Laura was my neighbor. She was older than me, not by all that much. Sometimes she babysat us. Her hair was the color of a raven's throat. My fingers ached to stroke it. Then came our private Armageddon, and our priorities changed. Although I never stopped loving the girl next door, whatever her guise. She was my ingress. 

Psychotic girls might be our last shot. Please rearrange words accordingly.

And please give me an invitite. Smurn me with lashes. Starl. Aglutor. Abrogate all this. If langrage is a skareton, the very bones of our syntax are fragmenting in clouds of sweet white dost, like wedding caek. Our vocalumnary crombles. Restet my gladdamned jawmoan. That bird has flone. Hear me haol till dawn. 

Chronology isn't my strong suit. Nor is lucidity. Especially when my brainpan hosts its silent apocalypse.

Gloria met an enigmatic young woman named Evelyn who'd come down from Canada alone, for altogether obscure purposes. Gloria and Laura, who met at a club in Inglewood in July 2011, would help her sometimes, both sensing her dangling-over-a-cliff vulnerability. Evelyn had landed on skid row—in a hostel once opulent but wearing its own sad fall from grace in its crumbling facade—either because she felt it was her natural home or believing it her launchpad to Hollywood. She was pretty and sweet, listened to J-metal and read dystopian fiction, but she was already a wraith. A waif like a leaf gyred by November winds through a caterwauling valley someplace north of the forty-ninth. Her appointment with death kept getting postponed, and they took this as a sign she would be okay. They bought her meals now and then, took her to shows. But one day they didn't see her, no one did, and the internet seized on a shiny new mystery and Evelyn became a made-to-order character for websites dedicated to creepiness, not even rounded enough to be tragic.

Gloria kept going, but Laura went home, could never shake the sorrow of Evelyn's disappearance. They still talked now and then, but things had lost their luster. I loved all three, a walking, pulsing Bechdel test, but Evelyn will always hold a special place for me, allowing me my moment to school them and to fail them, her soft porcelain throat collapsing under my thumbs, her epicanthic stare beseeching me until her light slipped away, already heading back up Interstate 5, searching at long last for home.

Now you've read this nonsense, answer me this: what the fuck is wrong with you?

Boundary Bay

© Monica LunnThey came to our virgin thresholds and asked for our longest songs.

Some grim radar. An impertinent sonar.

Cephalopods.

Those songs we sang for them, relayed them for days, weeks, even months, the dwindling howl of a coda falling silent on upturned cedar. Dank, weary branches like bony old limbs. Notes like heavy snowflakes, the banshee shriek of the wind up in the narrow draw, silencing the very owls to grey.

Agonal gasps. A moist clutch of arms. First we gave them our extravagant minimum.

What were they? Aliens? Well, yes, but that says so very little. With which face should we meet the encroaching distance, which forgotten facet?

Rapid City. Deadwood. Devils Tower. The Black Hills quivering, purple, epochal, sacred with need. Unearthly as plasma spit from a star.

Dream westward. Spearfish. Sheridan. Missoula. Coeur d'Alene. Spokane. Fremont. Deception Pass. Ninety ways to Boundary Bay. 

You came home tonight, via the food bank, buzzed our door and I let you in. A train strums the night air in power chords. A hog revs on State Street like Satan's ruined trachea. The neon signs burn without mercy. You brought Campbell's soup and noodles and mushrooms and celery. Couple fresh spices. From this, we will conjure a feast in defiance, and while one of us plays culinary virtuoso, the other will walk a block to the Grocery Outlet and buy two bottles of wine, a malbec and a syrah, for relative pennies, and we will eat and drink like covetous gods, then turn our salivary hankering to each other's indigent need. Our thirsty skin. 

Okanagan. Plastic corona Penticton forecourt. Intersection highway desert fall fruit stands. Summerland. Peachland. Don't sneer; they're real. Burned on your shifty retinas. Harshness muted by conifers. Heat like a wall when you exit your car. Late-evening thunder in the hills like rumoured war. The shout of stars. The damp smell of dust in the dawn. The utter absence of any breeze. A patch of grass between your motel and the strip of sand by the lake. A toddler playing ball. Your child. You throw him the ball and his arms jut, fingers spread, and he laughs into the sky. You throw her the ball and her arms jut, fingers spread, and she laughs into the sky.

Even the living have ghosts. Sequential traces. Semblances.

Fairhaven. There are ghosts in the rust on the corrugated sidings of what I silently call the cannery, after Steinbeck. Rust-coloured ghosts of dust-covered trails and railroad tracks. Quick, when does the Amtrak come through? Let's watch it from the bridge, see it stir up the afternoon wraiths, send more dust and creosote to coat the dark berries where lovers saunter and graze. Let's take the boardwalk over sculptures and starfish. Swallow blackberries of sorrow over grapes of wrath. Someone draped a shawl over the evening, dimmed the reflected lights, the piers of industry reaching forlorn into the bay. Inviolate night haunted by the blush of its own unlovely face.

You have pledged all your nonsense and I will honour it. Speak to it.

"I was left behind," I begin.

"Yes, indeed. It wasn't anyone's intention, but you were hurt, it's true."

"Not just hurt, but hurt."

"Butthurt. I can't deny it." You smile.

"Funny. When you walked into my store, I thought it was a beginning. You were dressed in muted greens and reds, and they seemed so right."

You look waylaid. Your words are a whisper. "I'm sorry. I never intended anything else."

"Anything else?"

"Anything other than what it was."

"Which is?"

"Now? A pure clusterfuck." You show me your sweating palms, a saint with stigmata.

"What the hell did you want then?"

"All the love. All the good things."

"Did you capture anything at all?"

"Photographs. Hundreds of them."

"Tell me your favourite?"

"The beach ball in the grass with the blurry palm tree background and the heartbroken sky."

"You know about that? I should let you go now."

"Why? What? Seriously?"

"You know. You fucking know."

"…"

A concussion ricochets across the distant ridge, clay pigeons, the shattered rock itself a percussion section. We can make of chaos sheer rhythm if we're so inclined. Strata. Stratum. Sessions. Casual permissions. And you will listen. And dance. Even in a last apocalypse. Even within the fission hiss and searing echo of all our abandoned superannuated missions. Even then.