• Endless Joke
    Endless Joke
    by David Antrobus

    Here's that writers' manual you were reaching and scrambling for. You know the one: filled with juicy writing tidbits and dripping with pop cultural snark and smartassery. Ew. Not an attractive look. But effective. And by the end, you'll either want to kiss me or kill me. With extreme prejudice. Go on. You know you want to.

  • Dissolute Kinship: A 9/11 Road Trip
    Dissolute Kinship: A 9/11 Road Trip
    by David Antrobus

    Please click on the above thumbnail to buy my short, intense nonfiction book featuring 9/11 and trauma. It's less than the price of a cup of coffee... and contains fewer calories. Although, unlike most caffeine boosts, it might make you cry.

  • Music Speaks
    Music Speaks
    by LB Clark

    My story "Solo" appears in this excellent music charity anthology, Music Speaks. It is an odd hybrid of the darkly comic and the eerily apocalyptic... with a musical theme. Aw, rather than me explain it, just read it. Okay, uh, please?

  • First Time Dead 3 (Volume 3)
    First Time Dead 3 (Volume 3)
    by Sybil Wilen, P. J. Ruce, Jeffrey McDonald, John Page, Susan Burdorf, Christina Gavi, David Alexander, Joanna Parypinski, Jack Flynn, Graeme Edwardson, David Antrobus, Jason Bailey, Xavier Axelson

    My story "Unquiet Slumbers" appears in the zombie anthology First Time Dead, Volume 3. It spills blood, gore and genuine tears of sorrow. Anyway, buy this stellar anthology and judge for yourself.

  • Seasons
    by David Antrobus, Edward Lorn, JD Mader, Jo-Anne Teal

    Four stories, four writers, four seasons. Characters broken by life, although not necessarily beaten. Are the seasons reminders of our growth or a glimpse of our slow decay?

  • Indies Unlimited: 2012 Flash Fiction Anthology
    Indies Unlimited: 2012 Flash Fiction Anthology
    Indies Unlimited

    I have two stories in this delightful compendium of every 2012 winner of their Flash Fiction Challenge—one a nasty little horror short, the other an amusing misadventure of Og the caveman, his first appearance.

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Entries in Nick Cave (2)


Ten Sixty Six

The land’s all gone, the bears are out, and a campfire builds itself. This land. Stragglers gather and reminisce about raisins and avocados. Some of our kind went down to Geneva but were never heard from again. Bless all of you, says the man on the hill, under an ominous sky that looks like a victim. You will be saved, he says. You will love each other. 

Those in the caravan to Helsinki laugh quietly and chew on their nails to the rhythm of the wheels on a belligerent road.

“Was that Jesus?” someone asks in Swedish. 

A quiet voice answers in English. “Makes sense Jesus would be a hitchhiker.” 

“I got a whole story about that.” No one recalls who said that or in what language they said it (but I know, and they weren’t from Scandinavia).

How is it no one warned us, no one told us a guitar is not a penis but a womb? How born are we if we yet don’t know what bore us? How dark are our dreams, how cherished, and how black is our metal?

That honeywoman struts her asymmetric gait, and we all wait, in case her flavour’s bleeding over the tops of everyone’s shoes. Normandy, you think. Alright. These pebble beaches under weighty skies, stale remnants of baguettes, jettisoned recyclables, and cooled moist condoms pushed forgotten into clefts. From here a fleet launched once and changed the world. Tapestries and arrows; the uneasy gyre of tongues. A millennium since, I still can’t let that Gallic swagger eclipse my Saxon stance. I can’t tell the stubble in the field from the stubble you sometimes grow in the sultry valley of your love. You are widespread. And you know, while your grace may be saintlike, the spark of your ardor remains ghostlike. 

“Quick! There’s no line for the Ferris wheel.” 

Our time is now, it’s only now. Soon these frames will sway, broken and rusted, like limbs once bled by ancient butchers. The boardwalk will splinter and rot, foamy spumes reclaiming each kindled plank. A candy apple stick sucked dry and thrust in the eye of a life-size molded Elvis.

The last gull wheeling on a gust, sent by a waning sky over a lifeless swell.

“You totally should.”

“What if I half did instead?”

“Yeah, one of these days you might even manage funny.”

“Ha ha!”

The kindest we can ever do is tell someone we see their pain. Represent. I’ve never seen anyone not break down when someone speaks their suffering aloud. Tells them they are heard. 

Here, though, the last things to leave are deaf. Silent. Empty of applause. No one to remember or proclaim, the unheard flap and ache of a ragged banner the brief and only actual accolade.


Song in Neon

Alone now in a motel, sitting not so pretty.

How come all the girls I ever loved are named after cities?


Geneva, come back to me. Adelaide, are you there?

Madison and Phoenix, Savannah down in Georgia,

You ain’t so bothered now, but did you ever really care?


This animal in my throat, you better hope

It never breaks out. Go home, go home,

Go home now, dance and eat yourself sober. 

I ain’t guilty of this impending crime, I won’t

Admit that any damn thing is ever really over.


Things and people come, more often they go,

But all of that’s some half-digested ego. 


Red light through blinds like rays of blood,

Walls green with sixteen thousand hangovers.

Was anything we laughed or cried at ever any good?

Were we not even friends when I thought we were lovers?


A fool back then, more foolish now. I’ll leave in

The quiet hours under night’s impartial cover,

Slip away, not even someone’s memory or even

Credibly alive, though maybe I was never.