Midnight in America

An old man: "Sometimes I think the only important things that happen happen between a woman's legs."

A young woman: "That sounds like something you would think."

"Today I saw a ladybug with no spots. Just a flawless shiny bloodred dome moving on a leaf. It looked more like a machine."

"It is a machine. We're all machines. Soft, wet machines."

"But a female machine. Or we wouldn't call it lady."

"I've never used this word to describe anyone before, as it's the type of word you only hear in movies or read in books, but you're incorrigible."

"Listen, chica. When I was a tiny boy, I believed. I prayed to the big god they told us about in church and in school. I asked that god to help me when I felt sad or lost. I fought in a war and took refuge with a whore, and while I knelt and was tender and attentive, I asked that I become a better lover. I was present when my daughter was born and I asked that same god to make me a good father. I'm an old man now and the final darkness is not too far away, yet I gotta say out loud that I've spent most of my life waiting for anything resembling a response."

"That's a lonely thing."

"You got that right."

"So that's why you're here?"

"Kinda. Why do you want to know? I pay you and I get what I want and then we're done."

"Because it's more than that. I know you. You may be an old bastard, and a cranky one at that, but you're not some anonymous client. I watched you cry that time."

"Fuck that. I was a pussy back then."

"No you weren't."

"Anyway, I thought you said we're all machines. None of this matters, if that's the case."

"Nothing sadder than a sad robot."

"…"

"See? Okay, I gotta ask. Are you depressed?"

"That's a simple question with a complicated answer."

"So answer. I got time."

"Ha. You're a tenacious little cunt, aren't you? But okay. I'll give you the simple version, since you're like a pit bull chewing on a femur and I like that the same way I admire Jack Nicholson's character in that movie with the big Indian. Or perhaps the big Indian himself. Hell yeah, I'm depressed. But I'm no more depressed now than I was last week, last year, last decade. You learn to deal. And some days I deal better than others."

"Tell me more."

"What are you, my therapist?"

"Nah, I'm curious."

"Right. Okay, you wake up in the flat grey morning of a gloomy Sunday. Sometimes that feels like the end of things, other times it feels like it's the low point you might climb out of. Or rise, like that firebird. It's always there, a giant fucking shadow. If you let it, it will drop from above, a tear-soaked canopy, and impede your every step. You won't be able to escape your bed, let alone some mythic fire. But you can't. You can't let it win. You gotta keep finding ways to let the light in. Fill the days with good. Could be a handful of blue M&M's one day, a Warner Bros cartoon the next. Things that are light, and free of that awful weight."

"I never heard you say so many words."

"Well, you asked."

"I did do that."

"I like something else about you. Can you guess what?"

"What?"

"I called you a name earlier and you didn't flinch. In fact, you smiled just a tad." 

"Words are words. Each one has more than one meaning."

"You'd have liked my daughter."

"Past tense?"

"See? You say you know me, but you didn't know that, did you?"

"I'm sorry."

"Yeah, me too. It's alright, I ain't mad at you."

"Why would you be mad at me? For not knowing? Because she's dead?"

"Nah, none of that. No reason at all to be mad at you. I'm a cranky old man, remember? I'm mad at most everyone much of the time."

"It's understandable."

"Ha! Hey, that time you seen me crying? That's why. My daughter. That's the real reason I was bawling like a baby, no matter what bullshit reason I gave at the time."

"Better late than never, I guess."

"Huh?"

"Honesty. Being honest. I'm glad you trust me enough to be honest."

"You're a fucking riot, girl."

"A pun?"

"Not intentional, but it works."

"So you still want to do this thing?"

"Uh-huh. Never been more sure of anything."

"It'll change you."

"I don't doubt that. I'd chew on it more if it was noon or even midafternoon, but I'm far closer to midnight, so it don't matter." 

"Okay. I wish I didn't know you, though. Makes this harder."

"Just let's go in the room and bring in the redneck."

"Alright. Did you pick your implement?"

"Gonna go with a claw hammer."

"How's your swing, gramps? It might take a while…"

"No problem. I want him to suffer. I need to experience this. Being bad, I mean. Evil, even. The last eight years, the Trump presidency, pretty much killed my love for people, especially the miserable fucks that helped him get there. This yahoo properly vetted?"

"Oh yeah. Skinhead past. Swastika tats. Stormfront bona fides. Has a long record of assaults against blacks and gays."

"Good. Let's go spill this hate machine's blood."

"You break my heart, old fella, but you paid your money and this is still America."

"Damn right, girl."

Skinwalker

I want to tell this story with all my truth but I don't know which order it happened in and which parts I dreamed and which parts I stole from another dreamer. They tell me to place one foot in front of the other then switch them up and keep doing that until my story's told, but it isn't like that, this didn't happen in the same way you might walk down a straight road, not even close. It's more like a bird flying between trees in a dense forest, only sometimes you jump between birds, between birds of the same type, but then from cardinal to woodpecker to crow, and then briefly into a squirrel or a raccoon… then the forest disintegrates and you're stood trembling in a desert as yourself again, only you wish you were a camel because the throat-scouring thirst is the worst thing you've ever felt and the gamma burst sun is burning a pencil-light hole through your skull and you consider opening up your veins just so you can drink from them. And that's not even scratching the surface of why this story is so hard to tell. Perhaps it's impossible. Perhaps it's gone beyond story.

That morning I woke without skin. The thing that had flayed me in my sleep was slouching from the room, the entirety of my skin, mostly intact and dripping copiously, bundled in its scrawny arms like a sodden sweater, a look of shock on its face that it had even been seen. I knew I wasn't supposed to wake until later, but who could sleep through that?

Only that wasn't me. That was someone I had brushed by in the corridor days before, mindful of how narrow it was in that cheap hotel, how sticky the carpets in which the original pattern was barely discernible beneath the endless weary decades of grime. Tackiness emulating gravity. My bare arm touched his besuited one as we passed and he made a sound, a quiet apology, and I told him it was fine, it was my fault. I was unsteady in those heels. I might still have been drunk. As I got in the elevator the other elevator dinged open and breathed out a rancid shadow, a flap of bad, which clung briefly to the walls before I lost sight of it when my own door clattered shut. 

The lid is lifted and I watch a black balloon float up and over red rooftops patchy with snow, while a woman or a child sings in an alley like the world's last sad bird. Horses drum cobblestones. Echoes become muffled. A shout. Murder comes to visit awhile. It's Christmas.

An ornate frame, a blood-orange tree, a lifeguard running, drive slow homie, red red wine, a dark rest stop on an empty highway, fish tamales, a lone dancer smearing bloodscript on a polished stage, homemade knuckle tattoos, the secret yearning of a nun, human viscera in ribbons, the silent vigil of a grief-stricken dog, the lady in red, the anger of the sun, Bud Lite, sudden rain, an antique letter opener, fuck tha police, a field in England, cranberry vodka, our better angels, batteries not included, sheet-metal memories, fog on the runway, a forearm opened lengthways elbow to wrist, black lives matter, dewdrops on razor wire, que sera sera, a fatal misunderstanding, all your base are belong to us, the red road, you can't handle the truth, red and black, the evening redness in the west, that's me in the corner, don't breathe, paint it black, Juicy Fruit, ninety-nine red balloons, back to black, red dawn, fade to black…

Let me drive and I'll show you my true self. And lo, I'm behind the wheel of a late sixties Corvette Stingray and Interstate-5 is unrolling behind me like a dark contrail. A SoCal sunrise on my right. I'm heading north, Canada-bound. Unless I'm picked off before nightfall. I am a coyote returning to the pack, the sounds of hysteria echoing from the snowy bluff. An eagle sailing thermals. Orca music.

We're in a roadhouse, the percussion of pool balls and the hoots of the players adding new aural layers to AC/DC's "Back in Black."

"You're a sight for sore eyes," he says, joining me at the bar. He flicks his temple briefly in what looks like a tiny salute.

I look down. "You flatter me."

"No. Well, yeah." He smiles in a way he probably believes is rakish and charming.

"What you see is not necessarily what you get." I make eye contact and hold it. I always warn; it's only polite.

His grin widens. "I'll take my chances."

"Your chances are fast disappearing, honey."

There are things in the woods that scream. Skeletal things perhaps once human, but no longer. Malnourished and pitiless things. Do not leave the campsite, avoid the witching hour, and for the love of all that's holy, whatever that might be, do not ever whistle after nightfall.

My hair is black as a starless night and my eyes the colour of need. The kind of things you never even knew you needed.

Now get me a goddamned lawyer, Deputy.

The Mood

Writing. We all struggle sometimes to find new ways of expressing ourselves. I've taken a slightly involuntary hiatus, of late, in that sense. But as short as this piece is, it seems to be a somewhat different angle into story (with story being so crucial and all). I threw words together in a far shorter time than I'm used to and tried to resist traditional or strict punctuation in an effort to follow the rhythms of the speaker. There's a hell of a backstory, no doubt. Not even sure we'll ever be privy to it, but it doesn't hurt to speculate. My sense is, he was haunted by the look his mother gave him and never felt up to the task she set him, a task that seemed simple at first yet grew more complicated the more life unfolded... as things tend to do. Everything else that happened to him stemmed from that. But anyone reading this is free to dream or wish or reluctantly relate their own sweet or curséd version.

_____________

I'm a old man now and dont ever ask me to recall that frail clapboard home dwarfed by the vast yellow prairie that was never warm even when sunny, I oughta be able to remember summers but I dont, only the moan and shriek of many winters, no true windbreaks other than some scraggy poplars, distant mountains a bluish smudge on the horizon, barely even looked like mountains they were so far, pa hurtin momma month in month out and one day momma killin pa with a hatchet when he was passed out drunk, blood the thickness of motor oil dripping still warm from the finger she held to her lips, her huge eyes on me and her tremblin voice sayin, look after your brother now, you hear? be a good boy, while a crackly old gramophone played in the dim corner of a bare room, big band, maybe even glenn miller in the mood, I can almost recall the label in the middle of the disc, blue with a dog listenin to a phonograph, although that might be my subconscious funnin me, we all know what happened to glenn miller after all, although we dont really do we?

Ask me about that, or about what became of little bobby, and I wont tell you, now git away from the bars I been known to react poorly to bein stared at.

Delta Stories

I am a reasonable man, and I will tell you about where I come from.

We all lived in River City and its environs, and we felt the river move through our bodies, especially when it got awful sluggish and crept like mud along our lower intestines. Some days we almost loved the river. But most times we hated it. As mining townsfolk learn to love and loathe those dark seams, wondering which particular day will step forward and take their loved ones from them. Or when the decades-long underground fire that warrants permanent evacuation will be sparked.

There was always a bruised haze in the air around River City. Like we all lived within the heroic yet submissive persona of a domestic violence survivor.

***

After Mom killed Dad and got locked up, Cody looked after me from the very first.

My big sister, my custodian. Murder growing in her eyes.

***

I was one of them that watched.

Not entirely sure I wanna go over this again, truth be told.

Don't you love the peace tonight? So quiet you can almost hear the world creaking on its tired ol' axis like some dusty classroom globe that ain't seen oil in its time not now and not ever.

Why you keep asking me this over and over? Sure I was there, but I never lifted a finger to hurt that girl, weren't hardly complicit in this thing… this atrocity.

***

My mommy and my daddy were playing with us. It was summertime and evening. The sky was blue and lovely, and we had Katy Perry singing. Spock was playing on his own, chasing a cat toy, even though he's not a cat. LOL. It all seemed like normal stuff, until we heard a sound we never heard before, and—

***

Hear the train. That low moan was the sound that accompanied your dawning in this world. Ain't no trains no more, course, but I remember the sorrowing of that sound in the cold night seemed some worrisome augury best put aside to be mulled over in a less antic time.

***

Right, okay. Before you cross the border, take that right turn. Yeah, the one by that old church with the peeling paint and across from the elementary school; turn and you'll see the storage facility on your right. Pull up to the office, knock, and enter. I'll be there, a grey haired lady with a weary smile. We'll provide a key and padlock and assign you a locker.

Girl, place your things inside, lock her up, and come talk to us at the front desk.

After which you will need a place to rest. Please allow us to suggest the Pacific Vista Motel, west off of I-5 and overlooking the ocean. Try to ignore the ants.

Girl crying voice. "John the Revelator." Ganesh. Seaside Heights. Sunsets.

***

Touch her and I'll slowly dismember you. I'll eat your face.

Conviction

What did they say about the girl who died? That she was pretty? Delicate of face yet hardy of soul? That she sometimes lisped when excitement took her. That she was bright as a star cluster? That now and again she laughed riotously like a mule? No, they said she was a "beloved treasure." How could they mourn the death of something in which they themselves saw no life? Death itself has no meaning for a "treasure." You might as well speak of a broken clock. They are imbeciles.

She was alive and imbued with that fierce need only the best of us have, a need to experience it all. More so than me, her palest of shadows. Before I took all that away, robbed her of life and, worse, the world of her, she lit that world wherever she stepped, no matter how drear its corners, how dismal its recesses.

Before we heard about the storm heading our way, suspicions were starting to cloud my horizons. Something not quite right. Or worse, wrong right through. I could detail those things if I wanted to exonerate myself, but I sure don't want to do that at this juncture, maybe not ever.

Our place sat on a flood plain in a small north-south valley surrounded on three sides by thickly conifered mountains. At the south end, a vast east-west alluvial valley lay perpendicular to it. When at last the storm arrived, I was out by the woodshed, splitting birch stovelengths with an axe. A great gale was building, and since it was moving eastward, riding the pineapple express from some squally, cyclonic Pacific locus, our valley was safeguarded, sequestered.

Yet that gale had a voice. It made me drop tools and climb up to the deck so I could look to the main valley, and see if what was making that hellacious sound was something towering, wretched, and living. All I could see was a deep traumatic and carnal red roiling below the dark brow of the world, black and dire banners of cloud torn along in the wake of an apocalypse. And it howled. Like there were two levels to it—a prolonged shriek of something in mortal terror above that unabating roar of rage. The hair on my forearms stood spiky as the silhouetted firs on the ridge to my left. It felt ceaseless yet also final, the last sound we might ever hear in this or any other world, harrowing its way through eternity.

I went inside. She was doing something quiet in an alcove off of the kitchen, some kind of needlework, and I stood over her.

"You hear that infernal sound?"

She squinted at me, a puzzled look on that precious face, said nothing.

"You telling me you don't hear that?" I was exasperated. How could she ignore that doomsday shriek?

"Hear what, hon?"

I started to answer, but an awful realization hit me: she couldn't hear it because this was already the sound inside her pretty head; she heard this on constant, terrible, heavy rotation. I turned on my heel and went outside again, that great clamour crawling around my neck and shoulders like a shawl made of serpents, and, with ample time to think, retrieved my axe, returned to the house, and buried that pitted blade in her skull. She died with disbelief on her face. 

Here's the thing, though. Maybe I expected her head to discharge some vile green fluids, or spark and fizz like some midway sideshow, but all I saw was something runny like warm egg white, plenty of red, and a slow greyish-pink ooze. No other secrets. No wiring. No implants.

The 911 dispatcher could barely hear me over the raging fusillade.

Here's another thing, and it's damn near a kneeslapper: I now have vast and lonely stretches of time in which to contemplate my own impulsive certainty on a day I believed the world—with all its recessed corners, its mountainous tempests and everything I feared, seethed at, and treasured—was about to end.