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  • Endless Joke
    Endless Joke
    by David Antrobus

    Here's that writers' manual you were reaching and scrambling for. You know the one: filled with juicy writing tidbits and dripping with pop cultural snark and smartassery. Ew. Not an attractive look. But effective. And by the end, you'll either want to kiss me or kill me. With extreme prejudice. Go on. You know you want to.

  • Dissolute Kinship: A 9/11 Road Trip
    Dissolute Kinship: A 9/11 Road Trip
    by David Antrobus

    Please click on the above thumbnail to buy my short, intense nonfiction book featuring 9/11 and trauma. It's less than the price of a cup of coffee... and contains fewer calories. Although, unlike most caffeine boosts, it might make you cry.

  • Music Speaks
    Music Speaks
    by LB Clark

    My story "Solo" appears in this excellent music charity anthology, Music Speaks. It is an odd hybrid of the darkly comic and the eerily apocalyptic... with a musical theme. Aw, rather than me explain it, just read it. Okay, uh, please?

  • First Time Dead 3 (Volume 3)
    First Time Dead 3 (Volume 3)
    by Sybil Wilen, P. J. Ruce, Jeffrey McDonald, John Page, Susan Burdorf, Christina Gavi, David Alexander, Joanna Parypinski, Jack Flynn, Graeme Edwardson, David Antrobus, Jason Bailey, Xavier Axelson

    My story "Unquiet Slumbers" appears in the zombie anthology First Time Dead, Volume 3. It spills blood, gore and genuine tears of sorrow. Anyway, buy this stellar anthology and judge for yourself.

  • Seasons
    Seasons
    by David Antrobus, Edward Lorn, JD Mader, Jo-Anne Teal

    Four stories, four writers, four seasons. Characters broken by life, although not necessarily beaten. Are the seasons reminders of our growth or a glimpse of our slow decay?

  • Indies Unlimited: 2012 Flash Fiction Anthology
    Indies Unlimited: 2012 Flash Fiction Anthology
    Indies Unlimited

    I have two stories in this delightful compendium of every 2012 winner of their Flash Fiction Challenge—one a nasty little horror short, the other an amusing misadventure of Og the caveman, his first appearance.

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Entries in Dissolute Kinship: A 9/11 Road Trip (11)

Monday
May142012

Pod People

I am now officially a pod person. I've been interviewed before, which is an interesting experience the first few times, but when you notice yourself repeating many of the same answers in slightly different ways, it can be a case of diminishing returns. Which illustrates the importance of fresh questions on the part of the interviewer, but also behooves the interviewee to remember to dig deep and not resort to phoning it in... which is an apt figure of speech for the most recent experience I had of this strange concept in which one person asks questions of another person and they share the result of the conversation in the assumption others will find it interesting. But anyway, what I'm getting at is, on this occasion I did actually phone it in. Almost literally. Well, okay, Skyped it in. And the interviewer, Carolyn Steele, who runs the website Trucking In English, shaped this audio into something very listenable—a podcast, in fact, and the only known recording of my voice on the internet.

Ostensibly a conversation about Dissolute Kinship, it moves surprisingly seamlessly (given my propensity for inexplicable tangents and, um, awkward, ah, speech fillers) between the topics of New York City itself, both then and now, and the wider implications and fallout of the attacks of September 11, 2001. I even talk a little about growing up Catholic in a Protestant country. So, uh, religion and politics. Great. I eagerly await the hate mail.

But somewhere in there, she somehow manages to get me to make a connection between the unifying nature of the world's initial reaction to the horrors that day and the subsequent democratization that's largely been wrought by the internet, offsetting the more rigid and authoritarian reaction in the political sphere. It's an interesting counterpoint to the almost dystopian pessimism into which it's far too easy to lapse. And it takes no small amount of skill to elicit thoughts I probably wouldn't have come up with on my own. I guess that kind of synergy is the point, really, is why interviews can be so illuminating. Greater than the sum, kind of thing.

Anyway, have a listen here and if nothing else, see how mockable my outlandish Anglo-Canadian accent is.

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also writes for Indies Unlimited and BlergPop. Be sure to check out his work there if you like what you read here.

Thursday
May102012

Three In One Week

Reviews of Dissolute Kinship, that is. Varying from the indepth to the brief, all three of them kind and thoughtful and fair. Honestly, I wish I could express the right degree of gratitude toward people who not only bother to read my work, but who then go the extra mile and review it. I hear too many authors complaining about how too few readers review after reading. Well, how often does any one of us take that extra step? I do on occasion, but certainly not for every book. Reviews are gold, but they're not an automatic right.

Anyway to the first: Jim Devitt succinctly delivers the following, in a generous 5-Star review entitled A Grand Perspective:

David Antrobus captures the essence of community and perspective in this vivid account of 9-11. The pages come alive, not with destruction and tragedy, but with hope and meaning. The author opens his mind and feelings, leading us through the process from an outsider's point of view. In the end, he helps us understand by painting a masterpiece with words. He shares with us everything, from the guilt felt while viewing ground zero to the greater understanding how human lives are interconnected. Great job, Antrobus.

I have to say I'm extremely gratified how many readers of this little book get what I was attempting to do, that it was never solely about the actual attacks, but about how we moved on and how we created new connections after being brought together in such initially appalling circumstances.

Okay, on to the next. A.B. Shepherd, in a similarly brief but insightful assessment, has this to say:

This book focuses on the devastation he finds when he gets to New York City following the events of September 11, 2001 and the affecting and poignant way he has of describing what he sees. For some people, like me, who still find the devastation of that day very difficult to deal with, this sometimes evoked more emotion than I expected.

If you want to read a well written first-hand perspective of the visual aftermath of 9/11 this is an excellent book. A literary triumph. It's short length is not a detriment. My only criticism is the off-hand introduction of some very relevant emails that David sent to friends at the time. I feel they could have been incorporated a little more seamlessly.

Fair point about the emails, by the way. As much as they illustrate the more raw, unedited version of my reactions to events and scenes, I never did manage to blend them in a wholly satisfying way.

And finally, Carolyn Steele brings all her experience with trauma to bear in a very attentive and lengthy analysis of my book. I won't reproduce the entire thing here, but if you're interested, check out the link to Carolyn's blog. I will, however, quote some of my favourite parts of her astonishingly empathic response, many of which choked me up, quite frankly:

[T]he traveller in question is a poet, a philosopher and somewhat acquainted with trauma and you have a book that transcends genres such as ‘memoir’ or ‘travelogue’ and even ‘poetry’. It is simply unique.

As the narrative takes us deep into Manhattan, the city of New York becomes a character in its own right. Someone you become part of, convulsed with unfathomable grief.

One damaged soul who comprehends the need for repetition, the importance  of outing the trauma, more than most of us…gave the city the only gift he had. When he mentions a sense of shame for having been a tourist in those terrible days, we realise that his processing is not yet done. One day the author will understand that he was the right person in the right place, giving of himself for people who had no more idea than he did why he was there.

I cannot tell you that you will enjoy this book, but I can tell you that you won’t regret reading it. And that you will reread it more than once.

This book is a piece of poetry and a testament to what it means to be human.

See? I defy anyone to not be moved by her words. The bonus is that Carolyn also interviewed me for a podcast to be broadcast soon (watch this space for developments) and if you can get past my annoying Anglo-Canuck accent, you will almost certainly be afforded more insight into the experiences surrounding that maddening little book (and its upcoming sequel).

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also writes for Indies Unlimited and BlergPop. Be sure to check out his work there if you like what you read here.

Friday
Mar092012

What is this Kinship of Which You Speak? Pt. 2

Part Two of a longer post. Part One is here.

__________________________________

Over time, we became street fixtures ourselves, and this is where trouble can start.

First, it is easy to begin to over-identify with the street lifestyle and see the "normal" world as the enemy, as a cold, insouciant planet of hypocrisy-peddlers from manicured suburbs or hostile downtown business owners clearing their precious doorways, customers with wallets relentlessly prioritized over these troublesome urchins.

And second, it's even easier to bond with the youth themselves. For all their outward bravado and feral smarts, street kids are still kids, and once they trust you, their loyalty is fierce, as it must be in return if we were to be effective. For they have first survived and often been further hurt by a system that regularly ignores their specific needs, or that judges them unfairly, or that contains workers who once genuinely believed in "helping others" now turned cynical by a job that shackles them to a desk and forces them to fill out endless forms largely designed to protect their supervisors from lawsuits.

So when—as happened in my final year in the job—you lose two boys and one girl, all to some dire yet sly breed of violence, you tend to take it badly. And when the system is so broken that I am double-teamed by my own supervisor and a child protection worker and instructed to ignore a local 13-year-old girl—who is right now claiming physical and sexual abuse in another city—for the sole reason that she is now in an adjoining province and therefore no longer "our problem"; while that same week I'm thwarted by numerous drug rehab centres—after an 18-year-old girl finally relents and asks for help for her crack habit—on the grounds that she is too old for the youth facilities and yet won't qualify for the adult detox centres, it can all come to a head very quickly and very starkly. So when that third child, a 14-year-old girl this time, was found hanging in her basement by her 10 year-old brother, I simply walked away. Ostensibly a medical/stress leave, but I knew I wouldn't be going back.

Now, I'm not saying this was entirely the work. There was some stuff of my own I'd been carrying for far too long and which needed lancing before it ended up seriously ruining me—and that's not hyperbole—stuff that would take at least another decade to work through, but basically, I had begun a career which was not sustainable over the long term, and unlike other acknowledged high-stress occupations, there would be no twenty-year pension for me. No gold watch. No one to recall your deeds, heroic or otherwise. Nobody quite spells out to you at the beginning of all this heartache how truly corrosive to your happiness this work can be. No one mentions the eleven-year-old daughter of newly arrived Central American immigrants performing fellatio on a sick old man in the back of a local limousine. Or warns you about the fatal overdose in an alley on "Welfare Wednesday" that won't even make the local newspaper. Or prepares you for the rage of a twelve year old boy with a Christian cross seared into his torso from throat to navel by, presumably, some glowing and righteous cigarettes.

So, now we're at the point where I realised that world was gone from me, perhaps forever. A couple of confirmations by mental health types that I was suffering from Post Traumatic Stress Disorder and clinical depression (wonderful how they always like to hit you with two diagnoses, as if you're not reeling enough) later, and I entered 2001 on antidepressants. Which explains why I felt nothing and to this day remember almost as little of the first half of that year. I think I hiked in the mountains a lot.

It was some time during the summer that the idea of the road trip occurred to me. It became an idea I couldn't shake, and the combination of an understanding family and conveniently located friends along the potential route from near Vancouver, BC to New York City, made it not only possible but feasible. Late August, and a thought appeared unbidden: "I want to leave on a Tuesday". No idea why now. Could be it was the day my Employment Insurance cheque arrived. But however I arrived at it, "Road Trip" was entered on the calendar next to Tuesday, September 11, and I waited.

Monday, September 10, 2001: My bags were packed: camping gear, cassette tapes (yes, my '91 Civic only had a tape deck), clothes to last a few weeks. The drive itself would take at least a week each way unless I drove like something being pursued—not out of the question given the odd fluttery feelings drifting through me like eels through kelp, that might well have been me trying to wean myself from the Celexa—but I would also want to explore as much of New York City as I could, having never visited before. So I was estimating at least three weeks, perhaps as much as a month.

Which brings us to where the story begins. The story in my book. Perhaps many other stories. Those harrowing moments everyone can recall with pinpoint accuracy. For us, it went like this: I woke very early to a beautiful clear dawn. My partner told me something strange was happening, and a certain tone in her voice made me sit up and pay attention. I heard something on the radio that turned out to be inaccurate: "Up to nine planes are currently unaccounted for." We turned on the TV and watched the second plane hit the South Tower. Shortly after, we saw jumpers. I don't think the news people even knew what they were showing at first. We watched the buildings fall. We walked our son to his elementary school. I said "I can't go on my road trip." My partner said "first, find out how your friend in New York is doing". Nobody could phone New York. But I found him online. He said "everyone is leaving, it feels like a war zone. If you can, please still visit." I talked to my partner and watched the TV all day, the appalling endless loop. My son came home from school. I talked to my family and they were okay with me going. In the immediate future, at least, the United States border was closed, so Winnipeg became my new destination. I left late afternoon and barely even recall the eight hour drive that found me in Canmore, Alberta by midnight.

I know this was a familiar media refrain, but it felt like everything had utterly and irrevocably changed and would never go back to what it had been. And that the potential for that to be a good thing hung in the deceptively still Rocky Mountain air that night the world inhaled and awaited its next breath.

So, the kinship of which I speak? It's us. Ours. To make of it what we will.

*     *     *     *     *

also writes for Indies Unlimited and BlergPop. Be sure to check out his work there if you like what you read here.

Thursday
Mar082012

What is this Kinship of Which You Speak? Pt. 1

It occurred to me recently, in one of those sudden, sobering facepalm moments, that here I have this blog all dedicated to writing and everything, and yet almost twenty posts and three months in, I have yet to revisit the book I mentioned in my opening post. In other words, my own book. In other words, I'm a bit of an idiot.

The thing is, it's actually hard for me to talk about my book. As I mentioned back then, I am currently working on its sequel, but the entire decade-long episode surrounds a kernel of such genuine pain that I rarely express or even visit it. In fact, you can see it in my face in the embedded photo (wow, where does the time go?). The sequel itself is not going particularly well, either, for slightly different reasons. In fact, personal and darkly precious as they are—black pearls formed around gritty irritants—a part of me will be very relieved to get these two books behind me, so I can concentrate on lighter fare... such as disturbing, transgressive and/or graphic horror fiction. Yeah, I know, that sounds like a joke, but it's actually not.

I don't mean those books are bad. Not at all. I think Dissolute Kinship is a very decent short book, in fact, and I have every reason to believe its follow-up will be equally good, albeit a tad less redemptive. It's just that I've lived them now and they feel a little like millstones... like the haunted past... and I now want to escape some of the darkness and breathe a little.

So let me try to explain why I was in the predicament in the first place. I once worked with damaged kids. When I say damaged, I suppose I mean "abused and neglected and marginalized youth", in the jargony parlance of our official mandate. These are inadequate and even glib terms when describing lives that have barely gotten off the ground, lives that have only just woken from the sleep that comes before life and have already found themselves blighted by some of the worst afflictions of the human condition: addiction, poverty, cruelty, sexual predation, the vast indifference of the wider world.

My job on the streets was to be available to the kids who haunted the arcades and alleyways in case they needed and (more crucially) asked for services, and to advocate relentlessly for them once they did. I've never felt such a weighty responsibility. We would wrestle with the "system" (loosely, the government agencies centred around social services, education, law enforcement, etc.) and sometimes provide the voice for an individual child that pain or anger had silenced, however temporarily.

The youth on the street knew we were there, knew what we offered, and by no means did all of them access our services. But they knew. Which was sometimes enough. We were safe adults, usually predictable in our movements (deliberately so) and they knew where to find us. Even if it was to hit us up for a couple quarters to play Mortal Kombat.

Over time, we became street fixtures ourselves, and this is where trouble can start.

_____________________

Okay, this is getting too long for a single blog post, so I'm going to split it into two parts.

Click for Part Two.

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also writes for Indies Unlimited and BlergPop. Be sure to check out his work there if you like what you read here.

Monday
Mar052012

Smashwords Read An Ebook Week

My book is available for free as part of the Smashwords Read An Ebook Week promotion, as from now until March 10. To download a copy, go here, and fill your boots.

 

 

 

 

 Or, if that doesn't work....