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  • Endless Joke
    Endless Joke
    by David Antrobus

    Here's that writers' manual you were reaching and scrambling for. You know the one: filled with juicy writing tidbits and dripping with pop cultural snark and smartassery. Ew. Not an attractive look. But effective. And by the end, you'll either want to kiss me or kill me. With extreme prejudice. Go on. You know you want to.

  • Dissolute Kinship: A 9/11 Road Trip
    Dissolute Kinship: A 9/11 Road Trip
    by David Antrobus

    Please click on the above thumbnail to buy my short, intense nonfiction book featuring 9/11 and trauma. It's less than the price of a cup of coffee... and contains fewer calories. Although, unlike most caffeine boosts, it might make you cry.

  • Music Speaks
    Music Speaks
    by LB Clark

    My story "Solo" appears in this excellent music charity anthology, Music Speaks. It is an odd hybrid of the darkly comic and the eerily apocalyptic... with a musical theme. Aw, rather than me explain it, just read it. Okay, uh, please?

  • First Time Dead 3 (Volume 3)
    First Time Dead 3 (Volume 3)
    by Sybil Wilen, P. J. Ruce, Jeffrey McDonald, John Page, Susan Burdorf, Christina Gavi, David Alexander, Joanna Parypinski, Jack Flynn, Graeme Edwardson, David Antrobus, Jason Bailey, Xavier Axelson

    My story "Unquiet Slumbers" appears in the zombie anthology First Time Dead, Volume 3. It spills blood, gore and genuine tears of sorrow. Anyway, buy this stellar anthology and judge for yourself.

  • Seasons
    Seasons
    by David Antrobus, Edward Lorn, JD Mader, Jo-Anne Teal

    Four stories, four writers, four seasons. Characters broken by life, although not necessarily beaten. Are the seasons reminders of our growth or a glimpse of our slow decay?

  • Indies Unlimited: 2012 Flash Fiction Anthology
    Indies Unlimited: 2012 Flash Fiction Anthology
    Indies Unlimited

    I have two stories in this delightful compendium of every 2012 winner of their Flash Fiction Challenge—one a nasty little horror short, the other an amusing misadventure of Og the caveman, his first appearance.

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Entries in Corvids (2)

Sunday
Aug112019

Lit By Fire

"If you must die, sweetheart, die knowing your life was my life's best part.” — Keaton Henson

They said it was Banksy. The last painting. The howling boy on the wall of the capitol. We’ll probably never know, but I saw it, and it sure looked like a Banksy. 

You can’t really miss a black bear. The dripping, flexing arms of the forest murmur their shades of green, some a pale jade whisper, some an emerald shout, some so abysmal they’re nearly black, and within those dark branches lie shadows, blacker still. Yet a black bear, once it crosses your visual field in front of or within those varied shades of green, is a piece cut out of the world, a stark absence, a patch of lonely void in the shape of a bear. At which point, is it even a bear?

We sit in a quiet corner, you with your floppy hat and me with my eighties obsession that I can barely articulate.

“Try my hat on,” you say.

“I’d prefer not to.” I realize this is a hat store, and I balk. 

“Ha ha, that’s why I love you! You let me down gently, like an escalator.”

“No idea what you’re talking about, but you’re my friend, and I love you too, of course. Why are we even saying any of this? It’s a given.”

“Nothing’s a given. We’re renewing our friendship vows.”

“Um, you can stop now. Stop talking, that is. For fuck’s sakes. My toes are cramping.”

“Which only makes me love you more.”

“Shut up. Uh. Please, shut up.”

“Let’s go see some sights.”

“Yes, the new Banksy. The one we literally dropped everything to come and see.”

She had a way about her, a mood, something impossible to say no to.

But yes, back to art and stuff. Life. Banksy or not. 

What matters? Stale toast and the late, lazy flap of corvids against a peach sunset. An avocado pit sending tendrils. A butter churn. Scaffolding arched above a sidewalk, mauve and crimson night leaking into the tubular screens of its graceless folded geometry. Umbilicals. A honeybee nudging petals, reticent as a new lover. “I can’t breathe.” Do unto others. Me too. Make me an instrument of thy peace. Do what thou wilt, though it harm none. Keep on truckin’. Just do it. The great oil canvas of Serengeti brushstroked by wildebeest. Boreal trails of the caribou. Helpless, tenacious Marlowe balanced on the unlikely ridge spanning love and cynicism. The shock of a black locust on the whitewashed farmhouse wall, droning stark on stucco. Slanted dusty rays of old gold across grocery scales. The micro worlds of toys, all those chimes and astonished faces. And she has gone to Carterhaugh. How long, baby, how long? Stripe of the Bengal tiger, the lion’s nasal folds, the cougar’s stern and diffident brow. Howling alien nowheres blazoning the arrant vacancy of forsaken love. Pissing your name in a snowbank, or better yet an obscenity. Reeking fresh leaves of basil torn and open as the Sacré-Coeur. Bats exploding from a granite mouth, hurtling like scorched sparks in the quiet fire of twilight. Reciprocity: mouthing a woman to orgasm and being sucked. Croissants warm in the slatemine morning beside the drifting river. Dreamed unearthly cathedrals. Black lives never not mattering. The hart of the wood, the heart of the would, a-bloom with grief and guilt. Kiln-baked pizzas assailed by artichokes. Rooks prattling in a copse, jackdaws likewise on ramparts. Blastocysts zapped by lasers. Terror cells cleansed by drones. Eyelashes shipped free by Amazon. Thirst, in all its forms. 

Smiles like an ocean horizon, faint, blue, where the sky is stitched. 

A baby crying on the floor, abandoned. Cold concrete and a massive ceiling. A bear seeking entry, quivering snout attuned. Junior’s alone and loud, his laments a looping echo of their own discordant song.

“Come back now. Did you hear me? Where did you go?”

My ears half-closed, my heart is like a cannonball, shock aroused by alcohol, patterns like a dream tattoo. 

Open my secular breast. These dripping fragrant delicacies I’ve saved for you.

Friday
Jul062018

Fury

She is bound on a cold stone floor in a spare cottage by a crag, the wind a tuneless piccolo through cryptic slits.

A flurry of dark birds arc jagged across a slate sky past twilight.

The ink upon her arms and chest echo both flocks and sundown: three tiny boiling hearts on her inner right forearm and a stutter of crows below her clavicle, above her breast.

Outside, some black and odious structure silhouetted on the cliff edge: pitiless, stark, and mannish.

Pricks. If they are going to deem her a witch, then she will damn well rise witchlike.

A beetle meanders by her feet pursuing crumbs, flakes, specks.

These are fragmentary things, these moments, what she sees, hears, smells, feels. Nothing good will happen if she resists, but things far worse are pledged by her compliance.

The beetle is by the wall now, still seeking and vacuuming tiny morsels. She envies its autonomy, its thralldom to its own rudimentary will.

Her will is more wilt than heft. She stares between her legs at the stone and shudders. Imagines something ludicrous. Some unruly erection. Resistance. She must resist. Weakness now is unconscionable.

She is a woman not some failed man.

As if in answer, heart all slashed and ragged, Blossom appears in the murky air, her friend long slain by similar hands, twirling a familiar dance.

Speaks.

"Oh, Blanche, this is it. The inevitable. The moment you decide how to leave this aching world. I urge you to choose well. Its about you now, not them. They are filled with impotence, choked redundant by hate and unwarranted envy. Believing they're the heart, they are the true outcasts of our tribe. The overarch, the arc is in our favour. Even when they kill us, they don't win."

"Yeah, yeah. You always knew how to speak, my poet. I appreciate the pep talk, hon, but I ain't ready to die."

Sudden silence. No sound. The wind itself has swooned. Even the surf has ceased its assault on the rocks. No Blossom, no beetle, no beating heart. For a moment, no battery. A hush. This is the cold edge at the end of things, the blood loss, the muffled aftershocks.

However grim the lookout, love—love—is the thing.

The throng is coming, my brave and blissful amour, with their whetted instruments and their senseless rage, frail and pitiful as the keening of birds.