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  • Endless Joke
    Endless Joke
    by David Antrobus

    Here's that writers' manual you were reaching and scrambling for. You know the one: filled with juicy writing tidbits and dripping with pop cultural snark and smartassery. Ew. Not an attractive look. But effective. And by the end, you'll either want to kiss me or kill me. With extreme prejudice. Go on. You know you want to.

  • Dissolute Kinship: A 9/11 Road Trip
    Dissolute Kinship: A 9/11 Road Trip
    by David Antrobus

    Please click on the above thumbnail to buy my short, intense nonfiction book featuring 9/11 and trauma. It's less than the price of a cup of coffee... and contains fewer calories. Although, unlike most caffeine boosts, it might make you cry.

  • Music Speaks
    Music Speaks
    by LB Clark

    My story "Solo" appears in this excellent music charity anthology, Music Speaks. It is an odd hybrid of the darkly comic and the eerily apocalyptic... with a musical theme. Aw, rather than me explain it, just read it. Okay, uh, please?

  • First Time Dead 3 (Volume 3)
    First Time Dead 3 (Volume 3)
    by Sybil Wilen, P. J. Ruce, Jeffrey McDonald, John Page, Susan Burdorf, Christina Gavi, David Alexander, Joanna Parypinski, Jack Flynn, Graeme Edwardson, David Antrobus, Jason Bailey, Xavier Axelson

    My story "Unquiet Slumbers" appears in the zombie anthology First Time Dead, Volume 3. It spills blood, gore and genuine tears of sorrow. Anyway, buy this stellar anthology and judge for yourself.

  • Seasons
    Seasons
    by David Antrobus, Edward Lorn, JD Mader, Jo-Anne Teal

    Four stories, four writers, four seasons. Characters broken by life, although not necessarily beaten. Are the seasons reminders of our growth or a glimpse of our slow decay?

  • Indies Unlimited: 2012 Flash Fiction Anthology
    Indies Unlimited: 2012 Flash Fiction Anthology
    Indies Unlimited

    I have two stories in this delightful compendium of every 2012 winner of their Flash Fiction Challenge—one a nasty little horror short, the other an amusing misadventure of Og the caveman, his first appearance.

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Sunday
Mar282021

Atrocity

Love, regardless.

Not only ghosts but people. Even the ones who faded. 

Recall delivering letters amid narrow ice-filthed brick-shored places, breath a whorl of futile, fingers iced, eyeing gun-shy frown-marked dogs, brown and surly with an inkling to hurt.

A battalion of believers moaning surety. True balloons. Obliterated grooms. How does your compliance make them come? 

“Let Jesus in; I promise you’ll be saved.”

This place amid the human tribe is crushing, our tracheatic wheeze an outlier where birdsong once prevailed.

Policeman. Copper. Sworn to protect. 

Ever hard.

You crossed paths with her and thought it better to erase her path. 

Such unmitigated hubris.

Not only the path but every step she took upon it. 

You read that map, you read each step, you nightmare godforsaken failed reptilian fuck.

“I can’t even bring myself to trust a cop, so why choose Jesus as my guide?”

We don’t want this to grow into a poem by default, so listen, pay attention. Reinforce this. You’re weak and low and appalling, and you always will be. Worthless, I want to say, but what we lack we boost, reshape into what we can hardly tolerate.

How glorious our acts of charity, how unrehearsed. Make this our cenotaph. Our radical, ramshackle, gimcrack tribute.

“What the almighty fuck is a Jesus?”

No longer will I turn away from cataclysm, especially when it’s made, especially once the red-streak gaze, the blaze of shame, the razor-face of naked blame spans the climb and ropes the bleating escapee, coveting exoneration, floating jailbreak, tempting everlasting flight.

Oh baby bird. 

You darling fledgling underneath the rain.

“Will you come back at last and hold my trembling hand?”

What untenable schemes unravel and bring you face to face with all things lacking face? What untrammeled endless waterways remain and even drain beyond this thing we deign absentia

Claim this. Claim your phantom legacy of pain. Let’s not let the boorish blamelords block the meritful petition of the rest.

“I’ll come back. Yes. Whenever I am right, I promise I’ll come back.”

Avenge this, all my dearest compañeros, walk in numbers shouldered by the highways as they flit and dash, reminding them of how our multitudes will some day trounce their flimsy hold, how sheer exuberance will rout their angry grasp, how dreamscapes wake from sleep, how such astonished love surprises overreach, how this damn good thing eclipses all of this and most of that.

____

Image © Rebecca Loranger

Sunday
Jan312021

Hello, Death

What is this solemnity?

This is me winding down, with a congruent desert backdrop. Bones and buzzards and busted things.

“Do you believe me now?” 

“I always believed you.”

You were with me until I stumbled, a comment on your loyalty and my klutziness. Yet I’m not even bitter, barely even sad. It’s the way of the sun in its arc and our orbit around its nuclear heart. 

This is it for me. I think I’m okay with that. 

I keep recalling moments like polaroids of the mind, skipping stones on a pebble beach, climbing to some high headland and gasping at the island jewelry strung in the inlet below. 

What bound it together was love. Love was always the tether. 

In the end, we all walk alone before a backdrop of surf and quiet in a shimmer of mist. And we climb a great pile of rocks. Sit in thought before a pond, the light another world entire, insects a maniac alien fleet, no one watching, no one there. Except, well, someone took the photograph. 

It’s all we have. It’s all we have.

Remember the ferry across the inlet? How the cormorants wove their mornings into ours? I know you felt these things as I did. I know they scrawled and daubed themselves upon the canvas spread behind your eyes and ears.

It’s alien, and so familiar. Shanties and favelas strewn like dirty salt across a landspit, arrayed like the cheapest of trinkets in some dusky bay. The world’s forgotten people. More numerous by far than the ones we remember. What inverted, capsized shit is that?

I think I’m leaving. I think you’re almost done. Dream I upended the downturned hull rightside up, set out in the bay with the brightest of suns and a precious muted tailwind. All things breathless and grainy.

Dream me, oh please, and I give you my word, I’ll try to dream you back.

Saturday
Jan232021

My Favourite Abuser

“All things said and not said, you’ll likely wish you’d never met me on this or any other road.”

“But our meeting made a tale, at least.”

“A tale to be ashamed of.”

“For you, perhaps.”

“I was never looking for you at all. I was searching for someone I lost.”

“Way it goes sometimes.”

I met Nick Cave up in the clouds, and he spoke to me. The birds themselves paused to listen. He tried his very best to let us know how grief can be outrun, but I don’t think we or the birds fully heard. It’s a lifelong thing and honestly, honey, it’s a struggle. 

Another way to say it is the torch that through the blue dream fires the cosmos. Though at this point, that just feels like parody. Who doesn’t love a Dylan cover?

Look. You met me. Or maybe I met you. We were lone snake trails in the dust of other people’s befuddlement before they could admit we’d utterly fucked them. Our dry sinuous curves were never meant to meet. But they did, and here we are. You are the flashback on my stuttering film reel; I am the static on your sputtering radio. 

For as long as there was a stage, we danced. And did we ever dance.

Glimmering cauldron howls in the treetops, I cranked up Ulver for our eldritch frolic, gyrating to the slink of wolves, the glamor of witches, and the yowl of the wildest woods. Black, blacker, blackest metal.

Dreams: electric capillaries flash on a cobalt horizon. I think of X-rays and remember all of our last days. Hallucinogenic black spiders in a speakeasy. Aiming straight for the eyes. But dammit, at least you’ll open your hellacious eyes.

Then winter. Then the remains of winter. Then a guarded breath as we dared to dream of one more spring. Sporadic remnants of old snow, greyed by road dirt, the scattered bones of long absent giants.

And memories. We looked to windward as we traversed the canyon, and we saw the lone bison, the big old front-loaded fuck, snorting and steaming in the diminishing gold of the air, mucus streamers flung like molten flags. A giant knot of this dirty-sweet earth’s best fuckery and love. A shaggy fist given life. 

Life.

I’m near done with words; luckily this doesn’t need words.

I saw in you a tiny flickering beacon, and I went to you for warmth.

You are a woman looking for peace and endlessly, maddeningly doomed to stumble on trouble. Something has been coming for you all your life. Now it’s almost here. 

And me? My life is a rusted sword blunted on the cold diamonds of my damnable dreams.

We are—literally, tragically, hilariously—each other’s just deserts. 

____

Image © Daniel Freeman

Saturday
Dec052020

Quiet Eternal Song

She showed up every afternoon in the town square, her guitar and amp ready to display her bona fides, ready to dazzle. She used to hear god’s whisper but no longer. 

She was an auburn beauty, which was incidental, but her gathered ponytail and her classical vulpine face were assets, however the music came.

Yes, pretty hurts, but goddamn, it still had such currency.

“Pretty lady, I won’t rain on your parade, but this isn’t the place for you.”

The wolf had appeared from shadows beneath the chapel roof and the market awnings, and he smiled through tumultuous teeth and tried to dam his drool. Oh, he was hungry.

“The skies are clear and this isn’t my parade, Mr. Wolf,” she said. “This is a way station, and I come from elsewhere, but here I sing my truth.”

“Don’t push me, woman.” 

“I won’t. Instead I’ll make my music.”

And she did that. Splashes of half or quarter melodies, staccato squalls merging into dreamscape, arpeggios traipsing on ramparts of crenelated chords, spiralling into the darkest of wells and spinning into meadowlark updrafts. Distortion like the most shattered of mirrors, hot liquid globules and elastic spans of glass, a glittering haze of misted diamond. Her thumb like a hammer conjuring bass notes, rhythmic and sundry as coitus, her arachnid fingers a blur as lacquered nails plucked and glissandoed reflected layers of overlapping melody. And above it soared her voice, like the great mountain condor, effortless and buoyed by thermals.

The townsfolk gathered and grew in numbers, and they sometimes sang snippets that only augmented her song, and children danced, and then their mothers, and then, looking sheepish between themselves, their fathers. 

The wolf was humbled, reduced, his snout a wilted thing, his ears flat, the luxuriance of his tail now tucked. 

“Mr. Wolf, I won’t stay. I’ve done what I came for, and it’s always time to move on. What will you do?”

Cupping the town in its rough hands was a landscape of clear streams and falls, forests dappled by light and deer, skies that paraded like blue and white and grey ticker tape, crags and flats and the quiet eternal song of the land.

The wolf, who recognized the good as well, knew all this and loved it, but he felt thwarted. Her cello nape, her downy hollows, her female scent itself a taunt, and though he knew he was wrong, he let himself down.

“I will eat you; it’s how I’m made. It’s what I am. And you, my chestnut fawn, were made for this too.”

She sighed while she packed her instruments. Something in the faraway hills echoed and crackled like an exhaled nightmare. She wished she could love the wolf and receive his love in turn.

“You will do what you were made to do, Mr. Wolf. But you are not emblematic of your kind.”

The wolf was puzzled. He didn’t know what emblematic meant. And while he crunched her words like marrow from the bones of a lover, spurned and sickly as the plague-struck, the townsfolk moved in silence with their clubs and knives and systematically dismembered him, and hearing his last furious yowl she cried as she left town, her hardware hunched like a stigma on her back, the neck of her guitar a phallus, her keening cry a screech of corvid grief in the spent and airless afternoon. 

Sunday
Nov222020

Troubling Things

“A dream of dark and troubling things.” — David Lynch

When I’m dead you’ll find a scar on my left wrist and maybe you’ll follow it like topography and logic and think I tried much earlier, but no, it wasn’t what it looks like, and I’m a lefty, so no. It remains a mark of shame, I admit, the legacy of an instant of stunned outrage wrought in my skin, tracing through accidental glass with eerie precision a family providence and a full blue vein by a lonely millimetre. 

“Where are you, my love? Sister, oh sister, don’t fall. We keep going.”

You might discover one day that I was listening to “Situation: Relation” by Rainer Maria at the very end, and you might be correct in that (and even want to go find it and listen to it, which you really should), but the reality is we’re always absorbing, always broaching new things, and endings are often pale echoes of things that come before.

“Let’s head out, grasp our moment, live this thing.”

Florida and freedom, windshield smeared, we yelped our adrenalized excursion, never sparing a thought for how our return would look. Demoralized inside a pandemic, pelicans and perplexity vying until the panhandle, at least until then.

“Fuck your feelings.”

“Ugly folks in an unlovely place uttering ugly things.”

Did you keep it all to yourself? Head west? Unshackle yourself? Walk miles into canyons, hoping for a retort, to shake something loose from million-year sedimentary rock? You fucking dreamer. I swear to god I love you almost. 

You goddamned cougar ghost, you starfish tramp, you cephalopod tryst. Will you ever grasp the foaming stream, the seething flow, the knock-kneed rocks at the clear untarnished source? Is this our time at last? The quietus? The terminus, the ruined hissing valve of everything? 

“Well, hell, if it is, let’s at least give it some motherfucking dignity.”

__________________

Image © Rebecca Loranger

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