The Corner
Saturday, March 12, 2022 at 6:02PM
David Antrobus in Choice, Eagle, Netflix, Post-apocalypse, biodiversity, coral bleaching, ecosystem, insect apocalypse

It’s still March; the sun doesn’t climb high, yet the trees try to lift it. Testing thermals, an eagle strains to pull it skyward with its wing draft, to reciprocate. They reach a kind of equilibrium no one is sure they want.

Which is but one way to tell of our world now. Forces pulling, even friendly ones, others pushing, anxious of upsetting an unacknowledged balance, of tipping some unseen fulcrum. Like bison on the plains, leaning top heavy and narrow-eyed into horizontal snowfall, bracing for the calamity we only dimly discern.

The people of the village tell us not to go past the Corner, Marla and me. Never venture beyond where the road curves, that grey loop turning up the side of the hill, a ghost’s cursive. How can they not know such beseechments only make transgression more beguiling?

“What lies past the Corner?” we ask.

“A thing spawned by mischance,” they say and cross themselves. 

All stockpiled quicksilver valour, uncontainable as a reactor core, Marla will go past the Corner. The inevitability of this dark, compact girl I love. Have loved since we were measured by weight not height and first touched fingertips and laughed like springwater, before we grew into language and even became human. The question is, will I ever dare follow?

***

“I’m a crone now, a dry slate headland buffeted by too many tides. You ask me why I’m angry? This isn’t anger; it’s bafflement. How about this? I used to believe there was someone counting all the insects, ready at some allotted time to sound the great alarm, to urge us to some agreed upon response when thresholds were crossed. Action. Coordinated effort. I mean, there are people watching the corals bleach, and they’re distraught, they cry onscreen as they tell us with voices shook full of woe, but we watch until the end and the credits roll. And the credits roll. And the credits fucking roll. Until the great irony of the real ending dawns on us, when we realize there are no credits, just this infinite debit. Not even a theme song. Only silence. Silence. Like the universe didn’t pay its Netflix fees.”

***

The answer now; here it is, all these years later: Marla might have led, but we have all begun—some of us trembling, others sorrowful, a few even smiling and stepping light of foot and without care—to round the Corner, no one able to say or even know if this is sayonara or a strange and even hopeful kind of hello.

Article originally appeared on The Migrant Type (http://www.the-migrant-type.com/).
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